Have you ever pondered the intriguing phrase “flap mouthed” as it pertains to Shakespearean language? What layers of meaning might be concealed within this seemingly simple descriptor? Could it signify a more profound character flaw, perhaps hinting at someone who speaks without thinking, or is it a reflection of undignified chattering? Imagine the dynamic characters in Shakespeare’s plays, each laden with complexity, and how such a term could be employed to illustrate their traits. What do you think the playwright intended by using this phrase? It’s fascinating to consider the myriad nuances of language, especially in such an eloquent era. How does it resonate with contemporary themes of communication and emotional expression? Wouldn’t it be interesting to delve deeper into the historical context surrounding this term?